التشكيل الأسلوبي لقصيدة الفريدة للشاعرة: أسماء القرني . جميلة بنت عبد الله الجنيدي

Abstract Thepurpose of the research is to study the poem (Al-Farida) by the poet Asma Al-Qarni in a stylistic study, and to reveal the manifestations of creativity in its structural formations, and to explain its role in embodying the meanings of chastity and purity promoted by the poem. The study adopted the stylistic approach, with its procedural mechanisms through three main levels: the compositional level, the graphical and lexical level, and the rhythmic level, and it dealt with the phenomena of compositional deviation, such as introduction, delay, and turning, sentence styles, and the styles of separation and connection, as well as the poetic form in its total and partial types, and lexical fields, as well as sought to analyze the internal music represented by the bell of sounds, and to show the extent of its harmony with the external music represented in rhythm and rhyme. The study did not neglect to identify the most prominent stylistic phenomena, such as repetition, symbolism, and intertextuality. The study concluded with a set of results, most notably: the success of the poem in employing compositional injustice and stylistic diversity to serve the central theme (chastity and purity), and the ability of the total and partial poetic image to intensify the emotional experience, as well as the organic cohesion between the internal and external rhythms and the subject of the poem. Explode the creative energies of the text. Keywords: Stylistic, Asma Al-Qarni, Al-Farida Poem, Intertextuality, Symbol.

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