الحضور التاريخي في الشعر العماني الحديث د. محمود حمد الرواحي

Abstract No matter how much humanity develops intellectually, socially, and culturally, it cannot escape its history. This is achieved in literature through an artistic process that reinterprets the impact of human actions on humanity. Because poetry is close to the self, stemming from its sensitivity to transformations, it bears the burden of feeling, with all its successes and failures. This feeling arises from the reduction of influences, transformations, and historical recollections into verbal codes and subtle rhetorical clues between signifier and signified. All of this encompasses many aspects related to the sensitive facets of humanity, revealing forms of expression for historical influence—events, conflicts, and personalities—from the depths of the human connection to everything that relates to humanity's relationship with the earth, soil, light, the passage of time, and the visions of the other being. The modern Omani poet has found the nature of poetry in expressing humanity throughout its long history. The historical presence in his experience is shaped by a purely human value, far removed from narrow confines, and open to human history. He transformed his limited world, replacing the narrowness of expression with the expansiveness of poetry, which reaps the fruits of its openness to human transformations. This is the effect of a broad cosmic vision that reclaims everything connected to humanity, and all the themes related to its spirit and thought. Thus, images of historical presence emerged, expressing the poetic self's stance on the transformation of many values, its sense of their defeat, and its feeling of the weight of personal, national, and human betrayal, in addition to the desire to search for similar selves that have influenced the course of life.Through reading examples of modern Omani poetry, this paper claims to have traced, using descriptive and interpretive methodologies, in addition to reception theory, the most important images of historical presence in modern Omani poetry. The paper's findings indicate that history, with its events and figures, is inseparable from the poetic self. This is reflected, as a result of the transformations of the era, in these experiences in the form of revival, invocation, bewilderment, participation, and address within the forms of modern poetry. Keywords: Self, History, Poetry, Modern, Omani, Invocation, Images.

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