Discourse Arts Strategy

Abstract

The research discusses the ability of the discourse to harmonize different linguistic styles in the discourse, the drawing strategy (one of the important styles of the discourse), its impact on the illocutionary force of the discourse, the extent of sufficient of the addresser (1st person) in the discourse, the ability to create the rapprochement between addresser (1st person) and addressee (2nd person) to fill the gaps of artistic dialogue in the text. The research relies on the pragmatic approach; it describes the language of discourse in Diwan poetry. The written text interacts with the drawn artistic text. The research verifies the author’s relationship with self-present in the discourse, the issue of the body and the integration of the drawings. The research reaches that the poet’s practice of this type of shocking writing supported by the bold drawings is an invitation to the civilization, looking at sex from the civilized perspective, being liberated from its bondage, bringing up the addressee artistically to understand the incomprehensible and looking at the invisible at the artwork, whether it is a text or drawing. The creativity of the discourse appeared in the occupation of the addressee’s awareness by attacking his unconscious, and therefore the apparent appearance of the discourse may stay away from the habitual to return later with a new vision to the common and habitual. In the discourse, the horizon of the understanding makes gradual progress from moral (ethic) to cognitive, artistic and then practical, conveys the values and confirms the solidity of the issues through repetition, returning, cognitive dissonance and utilizing the genetic buttons . The writing performed by the parallel text had an implicit power that raised human needs and whims to a level higher than the instinct; the aim of the discourse towards Eastern society is not to present it, but to bring up a change in it, as this is the aim that the research is supposed to replace; the people with women, the woman with the nation, the authority with the men and what produces from the reasons of the problem.